I like this interactive series by Vincent Morisset a lot. Makes me feel like a kid again.

A weird, lonely, kid.

In space.

It has some of that same haunting atmosphere that made Welcome to Pine Point so memorable for me (another recent offering from Canada’s legendary NFB). I’d love to see more work along these lines.

[via Lori Matsumoto]

Al Davison is making a Graphic Novel. Let’s help him do it, shall we? Al is an extraordinary artist, with an extraordinary story to tell, and I look forward to whatever he has in store.

Also asking for a helping hand this week is the very promising documentary Stripped by Dave Kellett and Fred Schroeder. It’s a great cause (and I’m delighted that a goofy quote of mine got to be the punchline for the excellent trailer), but after such an explosive start to their fundraising campaign, I can’t imagine they won’t make their goal. So if you can only give to one (if either—I know times are tough), please consider Al this round.

Also this week, Faith Erin Hicks has begun online serialization of her new graphic novel Friends with Boys. Look great so far. Check it out.

Meanwhile, Darryl Cunningham is going after Chiropractic Therapy. Can’t miss that.

Finally, want to be a Google Doodler? Our old pal Tom Galloway reports that they’re hiring.
[Link corrected! Earlier link was to a “Doodle engineer” which is a little different.]

Off to NYC this weekend. I’m actually flying a bit early to, um, be in New York City in time for Hurricane Irene(?). Okay, not really. Just so that the hurricane doesn’t screw up my travel plans for my talk at NYU this Tuesday (not open to the public, sorry; just for freshmen in the Liberal Studies and Global Liberal Studies departments).

Have a great weekend.

When was the last time a comic surprised you? Really surprised you?

If you’re using a javascript enabled modern browser, give this link a click and scroll down to read.

Neat trick, hunh?

This is one of those interesting cases where the insertion of motion (or the illusion of it by hijacking the scrollbar) doesn’t automatically tear at the fabric of the medium. It still feels like comics, because that static juxtaposition is maintained (a bit like comics that use looped motion).

Hope others will give it a try. Adding the ingredient of reader presence to the mix could open up a lot of interesting possibilities, especially for genres like horror which thrive on keeping the reader at least partially in the dark.

[via reader Noah Easterly, reddit, and others]

See you this weekend at the Opera House!

ATTENTION CALIFORNIANS!

Do you live in LA, Ventura, Santa Barbara or Kern County? Willing to drive to Thousand Oaks, CA this Sunday afternoon (Aug 14)?

I’ve got a difficult page coming up that requires an unusual crowd shot and I’ve decided I need photo reference. Aiming for 2-3pm. If you’d like to participate, please email me and I’ll send more details.

Thanks and hope to see you this weekend!

Lucy Knisley knows how it feels.

My family and I are still unpacking from our recent move. I’ve spent a big chunk of my adult life in a sea of partially unpacked boxes. And worst of all is my email inbox.

I’m going to be updating this blog a bit more infrequently moving forward as I chip away at that inbox and continue work on my GN, but you can always follow me via rss, and be sure to keep an eye on my Google+ and Twitter accounts.

• Motorcycle Dealers

Haha, look who I’m tied with. Also being on this more personal list made me smile.

Been looking for an excuse to link to Cameron Stewart’s beautifully rendered Sin Titulo. This news seems reason enough.

Finally, in keeping with last week’s post (and Google+ mini-meme) on art we did when we were 15 years-old, here’s an interview with talented cartoonist and entrepreneur, 14 year-old Emma Capps. The girl’s reading Asterios Polyp, People. This next generation will be something to see.

Okay, this has nothing to do with comics, but it’s on my mind, so…

Sky and I have noticed a difference between bands of my generation, and more recent bands we like.

Whereas old bands like Boston, Chicago, and Kansas all formed in the city or state they’re named for, check out these geographically baffling examples from recent years…

Of Montreal: From Athens, Georgia.

Architecture in Helsinki: From Australia.

The Middle East: Also from Australia!

Beirut: From Santa Fe, New Mexico.

I’m From Barcelona: From Sweden.

So what’s up, global music scene? Why are you messing with our heads??

My old pal, Steve Bissette lays down the law after the recent Kirby heirs court decision.

I’m too busy with my GN to look deeply into the specifics of this case, but I did offer a brief general comment on Google+.

Jack and Roz Kirby are buried just a few miles from here. Maybe I’ll swing by this week to pay my respects.

Like so many of his generation, “the King” deserved better than he got.

…because they got more help than anyone expected!

(Though you’re welcome to buy the book when it comes out, of course.)

In the Independent Pavillion at San Diego, one of my former workshop students, the talented Jean Kang, told me about Womanthology and how their Kickstarter had rocketed past its goal.

Phenomena like Kickstarter are among the many reasons I understand and support Peter Laird’s decision to wind down the Xeric Foundation grants. This massive network of talent that we interact with on a daily basis has plenty of homegrown solutions for hungry artists up its sleeve. The days are gone when lone cartoonists had to turn to a lone source for help in entering a single door.

I’m glad Xeric was there all these years, but I’m happier still that there’s still so much more potential on the horizon.

—

Update: HAPPY BIRTHDAY, WINTER! Our little girl is 16 years-old today, and visiting NYC with her Mom (Sky got Shanghai with Dad, so Winter asked for Broadway and there’s no way Ivy would pass up that trip!). They’ve already seen Catch Me if You Can and Billy Elliot. Wicked and The Fantastics, still to come.